Creating Contact Sheets
In Photoshop
http://help.adobe.com/en_US/photoshop/cs/using/WS42C3020A-DAD1-4f92-8014-012263F3A51D.html
In Bridge
http://helpx.adobe.com/bridge/using/create-web-galleries-pdfs-adobe.html
Friday, December 14, 2012
Tuesday, December 11, 2012
Advanced Photography: Sequencing
elliot erwit, sequentially yours
http://lightbox.time.com/2011/10/18/elliott-erwitt-sequentially-yours/#1
http://www.bbc.co.uk/news/magazine-17295728
duane michals, things are queer
http://www.reframingphotography.com/content/duane-michals
robbert flick
http://www.robertmann.com/exhibitions/2005/flick/enlarge_02.html
http://archive.mocp.org/collections/permanent/flick_robbert.php
reiner leist
http://www.saulgallery.com/leist/statement.html
ICP, magnum contact sheets
http://www.icp.org/museum/exhibitions/magnum-contact-sheets
taryn simon
http://www.corcoran.org/exhibitions/simon
charles traub
http://www.charlestraub.com/#
sarah charlesworth
http://www.sarahcharlesworth.net/series-view.php?album_id=1449720&subalbum_id=1449721
fred stein
http://www.robertmann.com/exhibitions/2012/stein/thumbnails_01.html
holly andres
http://www.robertmann.com/exhibitions/2012/andres/image_01.html
michel szulc kryzanowski
http://www.robertmann.com/exhibitions/2008/krzyzanowski/image_01.html
john baldessari
http://www.mariangoodman.com/artists/john-baldessari/#/images/8/
http://www.pbs.org/art21/artists/john-baldessari
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A304&page_number=32&template_id=1&sort_order=1
http://lightbox.time.com/2011/10/18/elliott-erwitt-sequentially-yours/#1
http://www.bbc.co.uk/news/magazine-17295728
duane michals, things are queer
http://www.reframingphotography.com/content/duane-michals
robbert flick
http://www.robertmann.com/exhibitions/2005/flick/enlarge_02.html
http://archive.mocp.org/collections/permanent/flick_robbert.php
reiner leist
http://www.saulgallery.com/leist/statement.html
ICP, magnum contact sheets
http://www.icp.org/museum/exhibitions/magnum-contact-sheets
taryn simon
http://www.corcoran.org/exhibitions/simon
charles traub
http://www.charlestraub.com/#
sarah charlesworth
http://www.sarahcharlesworth.net/series-view.php?album_id=1449720&subalbum_id=1449721
fred stein
http://www.robertmann.com/exhibitions/2012/stein/thumbnails_01.html
holly andres
http://www.robertmann.com/exhibitions/2012/andres/image_01.html
michel szulc kryzanowski
http://www.robertmann.com/exhibitions/2008/krzyzanowski/image_01.html
nicholas nixon
http://www.yossimilo.com/artists/nich_nixo/?show=0&img_num=5#title
vito acconci, blinks
http://aleph-arts.org/art/lsa/lsa39/eng/1969.htm
vito acconci, blinks
http://aleph-arts.org/art/lsa/lsa39/eng/1969.htm
john baldessari
http://www.mariangoodman.com/artists/john-baldessari/#/images/8/
http://www.pbs.org/art21/artists/john-baldessari
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A304&page_number=32&template_id=1&sort_order=1
Monday, December 10, 2012
Sunday, December 9, 2012
Beginner Photography: Detail, Texture, & Macro Photography
Detail, Texture, and Macro Photography:
http://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users
Karl Blossfeldt:
http://photography-now.net/karl_blossfeldt/portfolio1.html
Robert Mapplethorpe Flowers
http://www.mapplethorpe.org/portfolios/flowers/
Edward Weston
http://photography-now.net/edward_weston/index.html
Imogen Cunningham
http://photography-now.net/listings/index.php?option=com_content&task=view&id=358&Itemid=334
Irving Penn
http://photography-now.net/listings/index.php?option=com_content&task=view&id=447&Itemid=334
Eliot Porter
http://photography-now.net/eliot_porter/portfolio1.html
http://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users
Karl Blossfeldt:
http://photography-now.net/karl_blossfeldt/portfolio1.html
Robert Mapplethorpe Flowers
http://www.mapplethorpe.org/portfolios/flowers/
Edward Weston
http://photography-now.net/edward_weston/index.html
Imogen Cunningham
http://photography-now.net/listings/index.php?option=com_content&task=view&id=358&Itemid=334
Irving Penn
http://photography-now.net/listings/index.php?option=com_content&task=view&id=447&Itemid=334
Eliot Porter
http://photography-now.net/eliot_porter/portfolio1.html
Wednesday, December 5, 2012
Advanced Photoshop: Camera RAW part 2
http://tv.adobe.com/watch/photoshop-cs5-feature-tour/new-camera-raw-features-in-cs5/
Camera RAW 6
http://www.lynda.com/Photoshop-CS5-tutorials/new-features/59971-2.html?srchtrk=index%3A3%0Alinktypeid%3A2%0Aq%3Aphotoshop%20cs5%20camera%20raw%0Apage%3A1%0As%3Arelevance%0Asa%3Atrue%0Aproducttypeid%3A2
Photoshop CS5 New Features
with Jan Kabili
Camera RAW 6
http://www.lynda.com/Photoshop-CS5-tutorials/new-features/59971-2.html?srchtrk=index%3A3%0Alinktypeid%3A2%0Aq%3Aphotoshop%20cs5%20camera%20raw%0Apage%3A1%0As%3Arelevance%0Asa%3Atrue%0Aproducttypeid%3A2
Tuesday, December 4, 2012
Advanced Photography: Text
Barbara Kruger
http://blogs.artinfo.com/modernartnotes/category/the-modern-art-notes-podcast/page/2/
Duane Michals:
http://www.pacemacgill.com/selected_works/artist_page.php?artist=Duane%20Michals
Walker Evans
http://photography-now.net/walker_evans/
Museum of Contemporary Photography Exhibition:
http://archive.mocp.org/exhibitions/2004/02/conversations_t.php
Lewis Kotch
http://www.photography.dk/online/Koch/home.html
http://archive.mocp.org/collections/mpp/koch_lewis.php
Jeffrey Wolin
http://www.jeffreywolin.com/
Lee Friedlander
http://www.masters-of-photography.com/F/friedlander/friedlander_boy_in_window_full.html
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A2002&page_number=5&template_id=6&sort_order=1
Robert Rauschenberg
http://www.gagosian.com/artists/robert-rauschenberg/selected-works
http://www.sfmoma.org/explore/collection/artwork/16334
http://www.sfmoma.org/explore/collection/artwork/16323
Martha Rosler
http://www.sfmoma.org/explore/collection/artwork/15418#
http://www.moma.org/explore/multimedia/audios/295/3324
Jim Goldberg
http://www.magnumphotos.com/C.aspx?VP3=SearchResult_VPage&VBID=2K1HZO8MZSB9M&SMLS=1&RW=1762&RH=853
Lorna Simpson
http://lsimpsonstudio.com/photographicworks01.html
Matt Siber
http://siberart.com/projects/untitled-project/north-america/untitled-1-2002/
Vito Acconci
http://www.artic.edu/aic/collections/artwork/199013?search_no=4&index=56
David Shrigley
http://www.davidshrigley.com/photo_htmpgs/photos_04/a_photograph.html
Duane Michals:
http://www.pacemacgill.com/selected_works/artist_page.php?artist=Duane%20Michals
Walker Evans
http://photography-now.net/walker_evans/
Museum of Contemporary Photography Exhibition:
http://archive.mocp.org/exhibitions/2004/02/conversations_t.php
Lewis Kotch
http://www.photography.dk/online/Koch/home.html
http://archive.mocp.org/collections/mpp/koch_lewis.php
Jeffrey Wolin
http://www.jeffreywolin.com/
Lee Friedlander
http://www.masters-of-photography.com/F/friedlander/friedlander_boy_in_window_full.html
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A2002&page_number=5&template_id=6&sort_order=1
Robert Rauschenberg
http://www.gagosian.com/artists/robert-rauschenberg/selected-works
http://www.sfmoma.org/explore/collection/artwork/16334
http://www.sfmoma.org/explore/collection/artwork/16323
Martha Rosler
http://www.sfmoma.org/explore/collection/artwork/15418#
http://www.moma.org/explore/multimedia/audios/295/3324
Jim Goldberg
http://www.magnumphotos.com/C.aspx?VP3=SearchResult_VPage&VBID=2K1HZO8MZSB9M&SMLS=1&RW=1762&RH=853
Lorna Simpson
http://lsimpsonstudio.com/photographicworks01.html
Matt Siber
http://siberart.com/projects/untitled-project/north-america/untitled-1-2002/
Vito Acconci
http://www.artic.edu/aic/collections/artwork/199013?search_no=4&index=56
David Shrigley
http://www.davidshrigley.com/photo_htmpgs/photos_04/a_photograph.html
Monday, December 3, 2012
Beginner Photoshop: images for clone stamping
Sunday, December 2, 2012
Beginner Photography: Vantage Point
Assignment: Vantage Point
http://www.walkingtheworld.com/phototips/lesson7.html
http://www.lightstalking.com/point-of-view
http://www.phaidon.com/agenda/photography/video/2011/october/27/steve-mccurrys-one-minute-masterclass-2/
Artists to consider:
William Eggleston
http://photography-now.net/william_eggleston/portfolio1.html
Asako Narahashi
http://www.yossimilo.com/artists/asak_nara/
Andre Kertesz
http://photography-now.net/andre_kertesz/index.html
Vik Muniz, Earthworks:
http://vikmuniz.net/gallery/earthworks
Spiral Jetty
http://blog.sfmoma.org/2011/01/jill-dawsey-vik-muniz/
Pictures of Junk
http://vikmuniz.net/gallery
Emmet Gowin:
http://photography-now.net/listings/index.php?option=com_content&task=view&id=367&Itemid=334
http://www.walkingtheworld.com/phototips/lesson7.html
http://www.lightstalking.com/point-of-view
http://www.phaidon.com/agenda/photography/video/2011/october/27/steve-mccurrys-one-minute-masterclass-2/
Artists to consider:
William Eggleston
http://photography-now.net/william_eggleston/portfolio1.html
Asako Narahashi
http://www.yossimilo.com/artists/asak_nara/
Andre Kertesz
http://photography-now.net/andre_kertesz/index.html
Vik Muniz, Earthworks:
http://vikmuniz.net/gallery/earthworks
Spiral Jetty
http://blog.sfmoma.org/2011/01/jill-dawsey-vik-muniz/
Pictures of Junk
http://vikmuniz.net/gallery
Emmet Gowin:
http://photography-now.net/listings/index.php?option=com_content&task=view&id=367&Itemid=334
Tuesday, November 27, 2012
Advanced Photoshop: RAW file conversion info
DNG info & download
http://www.adobe.com/products/photoshop/extend.displayTab2.html
http://www.adobe.com/support/downloads/thankyou.jsp?ftpID=5485&fileID=5507
http://www.adobe.com/products/photoshop/extend.displayTab2.html
http://www.adobe.com/support/downloads/thankyou.jsp?ftpID=5485&fileID=5507
Advanced Photography: Sublime
Assignment for Nov. 28
The Sublime:
http://www.thefreedictionary.com/sublime
The Sublime:
http://www.thefreedictionary.com/sublime
1. Characterized by nobility; majestic.
2.
a. Of high spiritual, moral, or intellectual worth.
b. Not to be excelled; supreme.
3. Inspiring awe; impressive.
4. Archaic Raised aloft; set high.
5. Obsolete Of lofty appearance or bearing; haughty: "not terrible,/That I should fear . . . /But solemn and sublime" (John Milton).
n.
Exhibiton at MoMA:
Exhibition at the Phillips Collection
Artists:
Timothy OSullivan
1. Something sublime.
2. An ultimate example.
MAN Podcast on Misrach:
Robert Adams:
Exhibition at the Tate Museum:
Exhibiton at MoMA:
Exhibition at the Phillips Collection
Artists:
Thomas Struth:
Andreas Gursky:
Lynn Davis:
Richard Misrach:
Sublime
Timothy OSullivan
http://americanart.si.edu/exhibitions/archive/2010/osullivan/
Catherine Opie:
http://www.art21.org/artists/catherine-opie
Wynn Bullock:
http://vimeo.com/10285089
The Sublime, ed. Simon Morley
http://www.whitechapelgallery.org/shop/product/category_id/31/product_id/513?session_id=13534478811eb75732587c7d9cf2cb3edc23e2ec00
Catherine Opie:
http://www.art21.org/artists/catherine-opie
Wynn Bullock:
http://vimeo.com/10285089
The Sublime, ed. Simon Morley
http://www.whitechapelgallery.org/shop/product/category_id/31/product_id/513?session_id=13534478811eb75732587c7d9cf2cb3edc23e2ec00
Monday, November 26, 2012
Beginner Photography: Time & Shutter Speed
Assignment: Time & Shutter Speed
Shutter Speed:
http://digital-photography-school.com/shutter-speed
for point and shoot cameras:
http://digital-photography-school.com/how-to-control-aperture-and-shutter-speed-on-an-entry-level-point-and-shoot-digital-camera
Exposure Triangle:
http://digital-photography-school.com/learning-exposure-in-digital-photography
Photographers who work with the element of Time in their work:
Eadweard Muybridge, Motion Studies
http://americanhistory.si.edu/muybridge/
Henri Cartier Bresson, The Decisive Moment
http://photography-now.net/henri_cartier_bresson/portfolio1.html
Matthew Pillsbury (long exposure / slow shutter speed)
http://www.matthewpillsbury.com/
Reiner Leist
http://www.saulgallery.com/leist/statement.html
O. Winston Link (technology and time)
http://www.robertmann.com/artists/link/image_01.html
Sze Tsung Leong, History Images
http://www.szetsungleong.com/history_index.htm
http://photography-now.net/sze_tsung_leong/
Hiroshi Sugimoto: Photography is a Time Machine
http://www.pbs.org/art21/artists/hiroshi-sugimoto
Nicholas Nixon, Brown Sisters
http://www.yossimilo.com/artists/nich_nixo/?show=0&img_num=7#title
Christian Marclay, The Clock
http://www.moma.org/visit/calendar/exhibitions/1333
Jacques Henri Lartigue
http://photography-now.net/jacques_henry_lartigue/portfolio1.html
Shutter Speed:
http://digital-photography-school.com/shutter-speed
for point and shoot cameras:
http://digital-photography-school.com/how-to-control-aperture-and-shutter-speed-on-an-entry-level-point-and-shoot-digital-camera
Exposure Triangle:
http://digital-photography-school.com/learning-exposure-in-digital-photography
Photographers who work with the element of Time in their work:
Eadweard Muybridge, Motion Studies
http://americanhistory.si.edu/muybridge/
Henri Cartier Bresson, The Decisive Moment
http://photography-now.net/henri_cartier_bresson/portfolio1.html
Matthew Pillsbury (long exposure / slow shutter speed)
http://www.matthewpillsbury.com/
Reiner Leist
http://www.saulgallery.com/leist/statement.html
O. Winston Link (technology and time)
http://www.robertmann.com/artists/link/image_01.html
Sze Tsung Leong, History Images
http://www.szetsungleong.com/history_index.htm
http://photography-now.net/sze_tsung_leong/
Hiroshi Sugimoto: Photography is a Time Machine
http://www.pbs.org/art21/artists/hiroshi-sugimoto
Nicholas Nixon, Brown Sisters
http://www.yossimilo.com/artists/nich_nixo/?show=0&img_num=7#title
Christian Marclay, The Clock
http://www.moma.org/visit/calendar/exhibitions/1333
Jacques Henri Lartigue
http://photography-now.net/jacques_henry_lartigue/portfolio1.html
Sunday, November 25, 2012
Tuesday, November 20, 2012
Modern Art Notes Podcast on Faking It: Manipulated Photography Show
Modern Art Notes Podcast on Faking It: Manipulated Photography Show
Monday, November 19, 2012
Beginner Photography: Framing
Framing
http://digital-photography-school.com/framing-your-shots-photography-composition-technique
Technical focus: composition, rule of thirds, cropping
http://digital-photography-school.com/5-elements-of-composition-in-photography
http://digital-photography-school.com/rule-of-thirds
http://digital-photography-school.com/framing-your-shots-photography-composition-technique
Technical focus: composition, rule of thirds, cropping
http://digital-photography-school.com/5-elements-of-composition-in-photography
http://digital-photography-school.com/rule-of-thirds
Wednesday, November 14, 2012
Advanced Photography Assignment: Appropiation
Definition of Appropriation Art:
(noun) - To appropriate is to take possession of something. Appropriation artists deliberately copy images to take possession of them in their art. They are not stealing or plagiarizing. They are not passing off these images as their very own. Not at all. Appropriation artists want the viewer to recognize the images they copy, and they hope that the viewer will bring all of his/her original associations with the image to the artist's new context, be it a painting, a sculpture, a collage, a combine or an entire installation
from http://arthistory.about.com/od/glossary_a/a/a_appropriation.htm
http://www.studentpulse.com/articles/546/appropriation-in-contemporary-art
Video & Audio interviews:
Interview with Penelope Umbrico regarding Appropriation:
http://www.studio360.org/2012/apr/06/appropriating-images-for-art-when-is-it-okay/
Carrie Mae Weems on Art 21:
http://www.art21.org/texts/carrie-mae-weems/activity-thematic-appropriation-and-borrowing
John Baldessari
http://www.youtube.com/watch?v=5kxPmDc07oI
Artists appropriating other artworks
Richard misrach portraits of paintings
Robert Heinecken
Harrell Fletcher
Sherrie Levine
Debbie Grosman
John Waters
Richard Prince
http://www.gagosian.com/artists/richard-prince/selected-works
Penelope Umbrico
http://www.penelopeumbrico.net/Suns/Suns_Index.html
http://www.penelopeumbrico.net/signaltoink/Signals/signalStatement.html
http://www.gagosian.com/artists/richard-prince/selected-works
Penelope Umbrico
http://www.penelopeumbrico.net/Suns/Suns_Index.html
http://www.penelopeumbrico.net/signaltoink/Signals/signalStatement.html
Identity Appropriation
Nikki S Lee
Aperture Remix exhibition
Doug Rickard (postcards relating to Stephen Shore's work)
Penelope Umbrico, Moving Mountains
Vik Muniz, Edward Weston's Day books
Monday, November 12, 2012
Beginner Photography: Color Theory
Color Theory:
http://www.colormatters.com/color-and-design/basic-color-theory
color photography by William Eggleston
http://www.egglestontrust.com/
http://photography-now.net/william_eggleston/portfolio1.html
White Balance:
http://digital-photography-school.com/introduction-to-white-balance
http://www.colormatters.com/color-and-design/basic-color-theory
color photography by William Eggleston
http://www.egglestontrust.com/
http://photography-now.net/william_eggleston/portfolio1.html
White Balance:
http://digital-photography-school.com/introduction-to-white-balance
Thursday, November 8, 2012
Advanced Photography Assignment: Gesture
Definition of Gesture
http://csmt.uchicago.edu/glossary2004/gesture2.htm
According to the Oxford Online Dictionary, the noun form of the word, gesture, means a manner of carrying the body; bearing, carriage, deportment. [1] It is also an action performed to convey one’s feelings or intentions or an action performed for show in the knowledge that it will have no effect. The word gesture derives from the Latin word gerere, which means "to do," and the Latin word gestra meaning of action. [2] The verb form of the word means to make or use gestures, to gesticulate. [3]
Viviane Sassen
http://csmt.uchicago.edu/glossary2004/gesture2.htm
According to the Oxford Online Dictionary, the noun form of the word, gesture, means a manner of carrying the body; bearing, carriage, deportment. [1] It is also an action performed to convey one’s feelings or intentions or an action performed for show in the knowledge that it will have no effect. The word gesture derives from the Latin word gerere, which means "to do," and the Latin word gestra meaning of action. [2] The verb form of the word means to make or use gestures, to gesticulate. [3]
Viviane Sassen
Erwin Wurm one minute sculptures
The Performing Body as Sculptural Object, exhibition at MoMA
included in the exhibition:
Hannah Wilke – Starification Object Series
Hannah Wilke – Starification Object Series
Bruce Nauman – Self- Portrait as a Fountain
Robin Rhode, Stone Flag
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A27821&page_number=1&template_id=1&sort_order=1
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A27821&page_number=1&template_id=1&sort_order=1
Valie Export (Encirclement)
Monday, November 5, 2012
Beginner Photography: Still Life
Still Life
Laura Letinsky
http://www.yanceyrichardson.com/artists/laura-letinsky/index.html
Paulette Tavormina
http://www.robertmann.com/artists/tavormina/image_04.html
Josef Sudek
http://photography-now.net/josef_sudek/
Laura Letinsky
http://www.yanceyrichardson.com/artists/laura-letinsky/index.html
Paulette Tavormina
http://www.robertmann.com/artists/tavormina/image_04.html
Josef Sudek
http://photography-now.net/josef_sudek/
Sunday, November 4, 2012
Preparing images to print
Resolution & Resampling
http://www.photoshopessentials.com/essentials/resizing-vs-resampling/
http://www.photoshopessentials.com/essentials/image-resizing/
http://help.adobe.com/en_US/photoshop/cs/using/WSfd1234e1c4b69f30ea53e41001031ab64-7945a.html
Preparing the image for print: Image Size, Border, Canvas
http://www.photoshopessentials.com/essentials/resizing-vs-resampling/
http://www.photoshopessentials.com/essentials/image-resizing/
http://help.adobe.com/en_US/photoshop/cs/using/WSfd1234e1c4b69f30ea53e41001031ab64-7945a.html
Preparing the image for print: Image Size, Border, Canvas
1. Go to the Image Menu > Image Size
2.
- Uncheck Resample Image
- Check Constrain Proportions
- Set the dimensions:
300 dpi
6.75
inch height and 9 inch width for horizontal images
9 inch height and 6.75 inch width for
vertical images
3. Click OK
4. Go to the Image Menu > Canvas Size
5. Set the Canvas:
8 inch height and 10 inch width for horizontal images
and
10 inch height and 8 inch width for vertical image
6. Set the Canvas extension color
7. Click OK
Tuesday, October 23, 2012
Late Fall Classes
Beginner Photography
Mondays in November & December
1-3PM
Beginner Photoshop CS5
Mondays in November & December
3-5PM
Advanced Photoshop CS5
Wednesdays in November & December
1-3PM
Advanced Photography
Wednesdays in November & December
3-5PM
Monday, October 22, 2012
Beginner Digital Photography Syllabus
Instructor: Christina Freeman
christinahfreeman@gmail.com
class blog: www.universitysettlementphoto.blogspot.com
University Settlement Beginner Digital Photography:
This course is designed for beginning photographers who want to better understand their cameras and learn the basics of photographic composition. There will be weekly assignments for students to explore aspects of photography such as exposure, vantage point, and framing. Each week, students will need to bring in examples of their work from the assignment in either print or digital form.
Week 1: Nov 5
Digital photography workflow. . .
Topic: still life
Technical focus: basics of exposure, aperture
Week 2: Nov 12
Topic: Color – color theory
White balance
Week 3: Nov 19
Topic: Framing
Technical focus: composition, rule of thirds, cropping
Week 4: Nov 26
Topic: Time
Technical focus: shutter speed (sports mode)
Week 5: Dec 3
Topic: Vantage Point
Technical Focus: Depth of Field
Week 6: Dec 10
Topic: Detail
Technical focus: Macro Photography
Week 7: Dec 17
Review images from Detail
Technical focus: lighting and flash
Beginner Photoshop Syllabus
Instructor: Christina Freeman
Email: christinahfreeman@gmail.com
Class blog: www.universitysettlementphoto.blogspot.com
Class Dates:
Mondays 1PM-3PM
November 5, 12, 19, 26
December 3, 10, 17
University Settlement Beginner Photoshop:
This course will introduce you to the basic skills needed to use Photoshop CS5.
It is very important that you have access to a computer with Photoshop to practice outside of class.
The lessons we do in class will also be posted on the class blog for review.
Materials for Class:
Please bring a pin drive or CD with your own images to work
on during class.
You should have access to a computer with Photoshop CS5 to
practice outside of class.
Lesson 1:
preparing the image for print
print dialog box
Lesson 2:
RAW files
Free Transform
File Management, File Types
Adobe Bridge, Workspace options, Zoom, Crop
Marquee, Lasso, Select,
Levels Adjustment Layer with a Selection
Lesson 4:
Select Inverse, Lasso Tool
Toggle between selection tools, Making complicated shape
selections
Lesson 5:
Adjustment Layers, Destructive Edits
Adjusting Opacity
Lesson 6:
Blending Mode
Layer Mask
Lesson 7:
Free Transform
preparing the image for print
print dialog box
Advanced Photography Syllabus
University Settlement
Advanced Photography
Teacher: Christina Freeman
christinahfreeman@gmail.com
www.universitysettlementphoto.blogspot.com
christinahfreeman@gmail.com
www.universitysettlementphoto.blogspot.com
** possible Saturday field trip to make-up for Oct 31
November 7
- talk about Met Shows – manipulated photography, Warhol
- look at images related to Gesture
- assignment: appropriation
November 14
- Aperture Remix Fieldtrip
November 21 –
- students show work with theme Gesture
- slideshow re appropriation
- assignment: appropriation
November 28
- Students show work with theme appropriation
- Slideshow re sublime
- Assignment: Sublime
December 5
- Students show work with theme sublime
- Slideshow re text
- Assignment: text
December 12
- Students show work with theme text
- Slideshow re sequence
- Assignment: sequence
December 19
- Students show work with theme sequence
- Final group discussion/ critique
Advanced Photoshop Syllabus
Instructor: Christina Freeman
Email: christinahfreeman@gmail.com
Class blog: www.universitysettlementphoto.blogspot.com
Advanced Photoshop CS5
Wednesdays October 31-December 19, 1-3PM
Materials for Class:
Please bring a pin drive or CD with your own images to work on during class.
You should have access to a computer with Photoshop CS5 to practice outside of class.
Lesson 1: Nov 7
working in Camera Raw part 1
Lesson 2: Nov 14
image resizing
preparing the image for print
preparing the image for print
print dialog box
Lesson 3: Nov 21
working in Camera Raw part 2
working in Camera Raw part 2
Lesson 4: Nov 28
masking part 1
new bristle brush tips
Lesson 5: Dec 5
masking part 2
masks and channels
Lesson 6: Dec 12
Advanced retouching 1
Lesson 7: Dec 15 (Makeup for Oct 31)
Advanced retouching 2
Lesson 8:
Advanced retouching 2
Lesson 8:
Independent work day – bring your own images that have problems
October 22: Camera Raw and Image Resizing
Camera Raw
http://tv.adobe.com/watch/photoshop-cs5-feature-tour/new-camera-raw-features-in-cs5/
Image Resizing
http://www.photoshopessentials.com/essentials/image-resizing/
http://help.adobe.com/en_US/photoshop/cs/using/WSfd1234e1c4b69f30ea53e41001031ab64-7945a.html
http://tv.adobe.com/watch/photoshop-cs5-feature-tour/new-camera-raw-features-in-cs5/
Image Resizing
http://www.photoshopessentials.com/essentials/image-resizing/
http://help.adobe.com/en_US/photoshop/cs/using/WSfd1234e1c4b69f30ea53e41001031ab64-7945a.html
Thursday, October 18, 2012
Oct 24: Met Museum trip for Photoshop and Photography classes
http://www.metmuseum.org/
The Metropolitan Museum of Art
1000 Fifth Avenue
New York, New York 10028-0198
Phone: 212-535-7710
New York, New York 10028-0198
Phone: 212-535-7710
Wednesday, October 17, 2012
Warp and Puppet Warp : Advanced Photoshop Oct 17
Warp and Puppet Warp
(practice image will be distributed in class)
1. Open Photoshop (From your Start Menu > Programs > Adobe CS5)
2. Open your image by going to the File menu and selecting Open.
3. Choose the File and click Open.
4. Make sure the Layers Palette is visible, if not go to Window > Layers
5. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of one of the arms.
6. Save the selection by going to Select > Save Selection.
Name it “Arm 1”, Click OK
7. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
8. Set the target points by clicking the arm where you want it to bend.
9. After setting the target points, click and pull on the points to make the selected area move.
10. Click the Enter / Return key to commit the change.
11. Deselect the area with CNTRL + D.
12. Erase any unneeded picture information leftover from the arm.
13. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of the other arm.
14. Save the selection by going to Select > Save Selection.
Name it “Arm 2”, Click OK
15. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
16. Set the target points by clicking the arm where you want it to bend.
17. After setting the target points, click and pull on the points to make the selected area move.
18. Click the Enter / Return key to commit the change
19. Deselect the area with CNTRL + D
20. Erase any unneeded picture information leftover from the arm.
21. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of one of the legs.
22. Save the selection by going to Select > Save Selection.
Name it “Leg 1”, Click OK
23. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
24. Set the target points by clicking the leg where you want it to bend.
25. After setting the target points, click and pull on the points to make the selected area move.
26. Click the Enter / Return key to commit the change
27. Deselect the area with CNTRL + D
28. Erase any unneeded picture information leftover from the leg.
29. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of the other leg.
30. Save the selection by going to Select > Save Selection.
Name it “Leg 2”, Click OK
31. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
32. Set the target points by clicking the leg where you want it to bend.
33. After setting the target points, click and pull on the points to make the selected area move.
34. Click the Enter / Return key to commit the change.
35. Deselect the area with CNTRL + D
36. Erase any unneeded picture information leftover from the leg.
37. Make a new empty layer by clicking on the Create new layer button next to the Trash Can.
Make sure this layer is below the “Jump” layer, drag it below if necessary
38. With the new empty layer highlighted, Load the Selection of Arm 1 by going to Select > Load Selection and choosing Arm 1
39. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
40. With the new empty layer highlighted, Load the Selection of Arm 2 by going to Select > Load Selection and choosing Arm 2
41. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
42. With same layer highlighted, Load the Selection of Leg 1 by going to Select > Load Selection and choosing Leg 1
43. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
44. With the new empty layer highlighted, Load the Selection of Leg 2 by going to Select > Load Selection and choosing Leg 2
45. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
46. Flatten the Layers
47. Make a new empty layer and drag it behind the background layer
48. Fill the new empty layer by going to Edit > Fill > 50% Gray, Click OK
49. Free Transform the Layer with the picture in it to make it smaller and then center it.
50. Click the Warp button and choose Flag in the Warp Drop Down Menu
51. Adjust the image to make the Warp more subtle.
52. Double Click on the Layer with the picture in it to bring up the Layer Styles Menu.
53. Click Drop Shadow. Click OK.
Save your work!
The End
(practice image will be distributed in class)
1. Open Photoshop (From your Start Menu > Programs > Adobe CS5)
2. Open your image by going to the File menu and selecting Open.
3. Choose the File and click Open.
4. Make sure the Layers Palette is visible, if not go to Window > Layers
5. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of one of the arms.
6. Save the selection by going to Select > Save Selection.
Name it “Arm 1”, Click OK
7. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
8. Set the target points by clicking the arm where you want it to bend.
9. After setting the target points, click and pull on the points to make the selected area move.
10. Click the Enter / Return key to commit the change.
11. Deselect the area with CNTRL + D.
12. Erase any unneeded picture information leftover from the arm.
13. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of the other arm.
14. Save the selection by going to Select > Save Selection.
Name it “Arm 2”, Click OK
15. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
16. Set the target points by clicking the arm where you want it to bend.
17. After setting the target points, click and pull on the points to make the selected area move.
18. Click the Enter / Return key to commit the change
19. Deselect the area with CNTRL + D
20. Erase any unneeded picture information leftover from the arm.
21. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of one of the legs.
22. Save the selection by going to Select > Save Selection.
Name it “Leg 1”, Click OK
23. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
24. Set the target points by clicking the leg where you want it to bend.
25. After setting the target points, click and pull on the points to make the selected area move.
26. Click the Enter / Return key to commit the change
27. Deselect the area with CNTRL + D
28. Erase any unneeded picture information leftover from the leg.
29. With the “Jump” Layer highlighted, use your selection tools (Magnetic Lasso or Quick Selection) to make a selection of the other leg.
30. Save the selection by going to Select > Save Selection.
Name it “Leg 2”, Click OK
31. Go to the Edit Menu > Puppet Warp (you should see a change to the selected area)
32. Set the target points by clicking the leg where you want it to bend.
33. After setting the target points, click and pull on the points to make the selected area move.
34. Click the Enter / Return key to commit the change.
35. Deselect the area with CNTRL + D
36. Erase any unneeded picture information leftover from the leg.
37. Make a new empty layer by clicking on the Create new layer button next to the Trash Can.
Make sure this layer is below the “Jump” layer, drag it below if necessary
38. With the new empty layer highlighted, Load the Selection of Arm 1 by going to Select > Load Selection and choosing Arm 1
39. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
40. With the new empty layer highlighted, Load the Selection of Arm 2 by going to Select > Load Selection and choosing Arm 2
41. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
42. With same layer highlighted, Load the Selection of Leg 1 by going to Select > Load Selection and choosing Leg 1
43. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
44. With the new empty layer highlighted, Load the Selection of Leg 2 by going to Select > Load Selection and choosing Leg 2
45. Fill the selection by going to Edit > Fill > 50% Gray, Click OK
46. Flatten the Layers
47. Make a new empty layer and drag it behind the background layer
48. Fill the new empty layer by going to Edit > Fill > 50% Gray, Click OK
49. Free Transform the Layer with the picture in it to make it smaller and then center it.
50. Click the Warp button and choose Flag in the Warp Drop Down Menu
51. Adjust the image to make the Warp more subtle.
52. Double Click on the Layer with the picture in it to bring up the Layer Styles Menu.
53. Click Drop Shadow. Click OK.
Save your work!
The End
Subscribe to:
Posts (Atom)